One other thing - it's red hot in there, even on a cold march day in Vienna. Overall a brilliant experience and well worth the money, but arrive early and get your elbows in when the buzzer goes, cause it's a long time stood still! Adagio molto e cantabile Andante moderato IV.
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Allegro ma non troppo, un poco maestoso II. There's no partitioning in the standing, its just like going to a gig. 125 'Choral' Luise Helletsgruber, soprano Rosette Anday, contralto Georg Maikl, tenor Richard Mayr, bass Vienna Philharmonic Orchestra Vienna State Opera Chorus Felix Weingartner, conductor I. It would be much worse if you were about 5 deep in the standing with nothing to rest on.
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It fly's by, but your feet don't half ache. They did 20 mins, then a 20 min interval. The show was brilliant, the whole room goes dead silent during the performances. People then tie their scarves to the rail to indicate it's there space and very trustingly walk off to the bar/buffet area in the next room. And it's every person for themselves, running into the central space and against the barrier. After another 5 mins, a buzzer goes (sounds like a prison gate). At this point you can see the people who chose the opposite stairwell queue across the standing area prime-d and ready at the other door. Small bags seemed fine.Įveryone waits here, and you really need to be within the first 10 people to have a chance at getting the front row of the standing area (and therefore able to lean on the fence).Īround 35 mins from the start of the performance you are allowed up the two flights of stairs to a second holding room. They make anyone with a coat take it downstairs to the cloak room and store there for 85 cents.
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For a single instrument, like the solo violin in the Solo. Since the year 2000, Vienna Instruments has sampled every instrument of the symphonic orchestra, and many more, to the utmost detail. You enter via the main front doors, and join one of the two queues taking you up either the left or right stairwell. Meticulously recorded sample library designed to integrate seamlessly with the Vienna Instruments sample player for incredibly realistic compositions. We collected tickets from the office the day before (no bother). We bought standing tickets about 1 week before arriving in Vienna, for an afternoon Subscription show (6Euro per person).